![]() First, I will briefly introduce who Hertzfeldt is as an auteur (where he comes from, where his primary interests lie, and what his impact has been) second, I will provide an overview of the historical context in which his oeuvre should be placed (i.e. ![]() This thesis is a primer on the experimental independent animator Don Hertzfeldt, whose filmography-described by one critic as “a singular universe of stick figures in crisis”-has for more than two decades been engaging some of the larger questions of post-millennial existence, particularly with regard to consciousness, temporality, and death.
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